by James Collins

It’s amazing how a game as rough as rugby can unite a nation. Saturday night was the Rugby World Cup Final between England and South Africa and I had the lucky opportunity to be at the prime viewing spot for South African fans. It was an amazing experience to see such passion and enthusiasm for a sport I know so little about. People were going berserk, flags waved everywhere and the level of excitement was spectacular. Nelson Mandela even showed up to voice his support for the Springboks, the South African team. Everyone chanted his name in harmony.

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by Aaron Shneyer

October is a great month to arrive in Jerusalem. In three weeks, I’ve celebrated Ramadan, Sukkot, Eid el-Fitr, Simchat Torah, a Palestinian wedding and a Sheva Brachot meal for a newly-wed Israeli couple. In some ways I might be one of the luckiest people here. As an American outsider with a wonderful network of friends from Seeds of Peace, I have a unique opportunity to spend time with all of the people here and to learn, first-hand, what life is like in their shoes. As tremendous political and social barriers usually limit interaction between Israelis and Palestinians living here, I am very grateful for the freedom to cross those barriers and get to know both sides.

One of my most memorable experiences was the Palestinian wedding last week, where I was politely forced to dance to Arabic music blasting through the street. After about 30 minutes of attempting to dance just like every other guy there, the DJ abruptly shut off the Arabic song and put on a techno song, apparently just for me. Suddenly all of the men formed a circle, ushered me into the middle and encouraged me to show off my dance moves. Normally I’d be more than happy to share my “culture” with people from another country, but tonight, as a guest of a guest, I was hoping to blend in a bit more. Either way, the people there were amazingly warm and eager to share their customs with me. And the food was delicious! It’s an experience I’ll never forget.

My project is coming along. We’ve decided to call it HEARTBEAT: JERUSALEM. This week I have meetings with school directors in East Jerusalem and at the music conservatory in Ramallah. Even though the Israeli high schools are on strike, I’m hoping to meet with the directors of various arts magnet schools here in Jerusalem over the next week. Overall, people have been very receptive to the project and I’ve had quite a few high school students very enthusiastically approach me about joining the group. The plan is to wrap up the recruitment phase within the next two weeks and hold auditions during the second week of November.

In the next update I promise to spice things up a bit more with some of the sights and sounds of J-slam. Please feel free to contact me and let me know what you’d like to see on this page. I’m interested to see who’s reading… Thanks again.

Click here to email Aaron with your questions or comments

The views and information presented are the Fulbright grantee’s own and do not represent the Fulbright Program or the U.S. Department of State.

by James Collins

The championships were seriously amazing. Nearly 2000 kids came from all over South Africa to partake in two days of creative events and competition. For most, it was the farthest they had ever traveled and, for some, the first time they had ever left home. There was a prescribed piece competition where each band had to perform the same piece for the judges. There were solo and ensemble competitions as well, where dancers and musicians could compete in categories ranging from solo marimba, to ensemble dance and drumline. Then there was the main event: each band had to put on a 12-minute show to compete for top honors in one of two divisions; the “baby bands”, which were established less than two years ago, and the veteran bands which have been around for two or more years.

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by James Collins

When I stepped up to the counter at the airport however many days ago, I had this satisfying feeling that I had finally made it. The only thing between me and Africa was a long relaxing flight, and I like flying. But, as I handed over my itinerary, I was informed that my ticket had been revoked due to some malfunction in the reservation system. Questioning what exactly “revoked” meant, I found out that my reservation had somehow been completely cancelled and could not be retrieved. This was a bit disconcerting considering my flight was only two hours away and I was supposed to arrive in South Africa just in time for some meetings at the US embassy and to make it to the Field Band National Championships. Missing this could be a huge problem.

As I stood there nervously watching the attendant fiddle with the computer for about an hour, I wondered if this was somehow a sign that I shouldn’t go. To be honest, I was a bit nervous about leaving everything behind and the thought did cross my mind that maybe I should cancel my grants, stay home, get a job, live life as I know it, etc. I am stronger than that, but I can’t say I felt fully relieved when a ticket somehow found it’s way into my hands and I drifted onto the plane.

The plane ride managed to calm my fears and arriving was actually really exciting. When I walked out of the plane, it sort of hit me that this time I actually did make it. I was on African soil for the first time in my life and a year-long adventure was about to begin. I was shuttled to a beautiful guesthouse in Pretoria and taken to the US embassy the next day for a few introductory meetings. Despite all the stories I had heard about crime, I felt quite secure behind the guard of marines and the billowing American flag in the distance.

When I got to Johannesburg the next day, however, my feelings were a bit different. Joburg can be a pretty intimidating place. There are tall walls with electric fences and barbed wire everywhere. Security guards patrol the streets and crime seems to be a very popular topic of conversation. The first few nights in my bed, I felt a bit like a child waiting for the boogie man to jump over the wall and get me.

But, I adjusted and the boogie man scares me less now. The walls are frustrating because of what they imply, but I’ve gotten used to them. They really highlight the level of disparity between rich and poor. Ferraris, run-down shacks, fancy shopping malls, make-shift bars, mansions and beggars all live within a few meters of each other. It’s very strange, but also fascinating. I’m sure I will have much more to say about this some other day.

Expect a report on the Field Band National Championships very soon! I also promise to spice things up with lots of photos and videos in the very near future. I just need a few minutes to sit down and edit all the material I’ve been gathering. Please also send me comments! Let me know if you have any questions or if you want to see or hear anything in particular. I really want to hear what you have to say.

Click here to email James with your questions or comments

The views and information presented are the Fulbright grantee’s own and do not represent the Fulbright Program or the U.S. Department of State.

by Larnies Bowen

Welcome to what will be the cyber home of my Fulbright-mtvU project, “An Exploration of Afro-Panamanian Identity, Culture, and Collective Experience through Spanish Reggae Music.” Over the course of my ten-month stay in Panama, I will employ a multifaceted approach involving archival research, music analysis, and ethnographic fieldwork to research the history, people, and culture that embody the Spanish Reggae movement in Panama.

In addition to your typical research in libraries, I will be out in the community attending concerts, parties, and other social functions in the hopes of building relationships with reggaeseros (Spanish Reggae musicians) and other Afro-Panamanians. I will present and interpret their words and music in the hopes of providing an entryway into their world for people outside of their community and culture. I look forward to forging relationships with people who are seemingly very different from myself and (as my Rasta “breddren” would say) overstanding these differences so that interviewees feel comfortable sharing details about themselves and their lives.

I will wrap up the academic year by producing an audiovisual history of Spanish Reggae music for use in Panamanian schools and community organizations. Featuring audio clips, short videos, songs, and photos obtained from my fieldwork, the DVD will provide a platform for Afro-Panamanians to explain the development and significance of Spanish Reggae music for their culture, community, and nation in their own words and riddims.

Here on this blog you can expect to find regularly updated posts containing analysis and commentary on Spanish Reggae music conveyed through various media. I also plan to weave the broader issues/themes relating to my project into a personal narrative of my experiences as a young Jamaican-American woman living and studying in Panama.

Finally, I would like this blog to facilitate meaningful and open dialogue between you, dear reader and myself. I am very much interested in receiving your questions, opinions, requests and other feedback. Thank you for your interest in my research!

Click here to email Larnies with your questions or comments

The views and information presented are the Fulbright grantee’s own and do not represent the Fulbright Program or the U.S. Department of State.

by Phally Chroy

The feelings and emotions that I have in my heart are overwhelming. As a Cambodian refugee growing up in Philadelphia, I would have never thought that I would be given an opportunity to travel back to Cambodia and conduct music research about the music that I grew up on… the music that has taught me how to speak, appreciate and understand what being Cambodian really means to me.

As I write this introduction from the window amidst Cambodian music playing in the background, I can’t help but feel sad being here. Sad as seeing and knowing the ravages of the genocide still in the faces of the people here. I can’t help but feel sorrow for my people as everyday Cambodia slowly fades into just a small irrelevant country in Southeast Asia, slowly forgotten for its rich heritage while overcoming being known only for the genocide and ruins of Angkor Wat. My being here –I hope– will help change this growing perspective. I hope to share that Cambodia is a beautiful country, with some many wonders that she wants to share and that her children (here and far away) will know how beautiful a country she is.

WELCOME TO CAMBODIA –again-

Click here to email Phally with your questions or comments

The views and information presented are the Fulbright grantee’s own and do not represent the Fulbright Program or the U.S. Department of State.

by Aaron Shneyer

Hey Everyone,

Thanks for tuning in. I’m in the middle of last minute racing around, getting things ready and spending time with friends and family before flying out in three days! I’m beyond excited.

As soon as I arrive, drop off my bags, grab a falafel and a quick nap, I’ll get started with recruiting high school students to audition for “The Israeli-Palestinian Jerusalem Youth Ensemble” (name in progress…if you have suggestions, send ‘em my way). I’ll spend the first few weeks meeting with school principles, teachers, community organizations, and professional Jerusalemite musicians to put together a support network and recruitment base for the project. Ideally, I’ll be able to go into every high school in East and West Jerusalem and announce the program directly to the students there.

In case you don’t already know, I’m using my Fulbright-mtvU award to create an ensemble of about 10 Israeli and Palestinian high school students. The ensemble is a chance for students from opposite sides of the conflict to come together to learn, write, play music and create something extraordinary.

The project has three goals, and you, Reader, are very involved in two of those goals.
First of all, this project is a chance for these student musicians to learn from each other’s life and musical experience and build a deeper understanding of their world. Second, the project is a tool for empowering these students to share their voices with their communities and with the world. By following the story of this ensemble and listening to their stories, YOU will empower these youth. Their voices are only powerful if people are listening. Finally, the third goal is also for you. Violence comes from despair, which can only be overcome with hope. If this project can instill even a tiny bit of hope in these students and in you readers, then it will be a tremendous success.

This blog will be a place for you to follow the project as it unfolds. I’ll share video and audio clips of the group making music, interviews with the musicians, photo and video of Holy Land happenings and sights and of course, the students will be able to post their original music. I’ll do my best to relay the entire process we go through, right here on this page.

Please stay tuned…the adventure is just about to begin.

Thanks for reading.

-Aaron

Click here to email Aaron with your questions or comments

The views and information presented are the Fulbright grantee’s own and do not represent the Fulbright Program or the U.S. Department of State.

by James Collins

Welcome to my Fulbright/mtvU blog. This is where I will be posting my videos, photos, recordings, and reports from my Fulbright/mtvU experience in South Africa. My project deals with the importance of music in childhood education, as seen through the efforts of the Field Band Foundation, a successful South African non-profit organization which brings opportunities to traditionally marginalized South African youth through music and dance education. I will be assisting the foundation directly by giving music lessons and overseeing several “field bands,” the marching ensembles that form the basis of the foundation’s programs. Throughout this experience, I intend to create a variety of multimedia segments for my blog detailing various aspects of the foundation and, more generally, the expression of music in South Africa. With this blog, I also hope to create a better understanding of the complexities of South African society and of the importance of music in everyday life. Though that might sound somewhat academic, I intend this to be a very real experience. I hope to step back a bit and let the children tell their story. My narrative (in writing) will deal with my reactions and impressions to what I see around me and what you will see in this blog. I hope to hear from you throughout this experience and I encourage any feedback or suggestions you may have.
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After months of planning and preparing, the time has finally come; I leave for South Africa in just one day. Though I’d like to say that I am fully prepared, unfortunately it’s not even close. I’ve been running around this past week trying to get every last thing I need (which I’ll probably eventually realize I don’t actually need) and dealing with the fact that my to do list has become more of a “to do someday” list. There is some comfort in knowing that I have a plane ticket and plenty of grant money to support me, but it’s a little frightening that I still need to pack, finish making my website, close a bank account, cancel my cell phone plan, figure out where I’m going to live in South Africa (!), and get a hair cut. Sleep = unlikely. But, in a day it won’t matter, because I will be dreamily on my way.

I have many hopes for what lies ahead. Though I’ve never been to South Africa, it is a place that has fascinated and haunted me for some time. I found out about the Field Band Foundation (FBF) several years ago when I was researching touring opportunities for the Harvard-Radcliffe Orchestra. I was looking into musical outreach activities that my orchestra could participate in and the FBF came quickly into view. Knowing how important music was to me throughout my childhood, I felt a very strong sense of respect for what the foundation was doing. Though my orchestra tour never materialized, I began thinking of ways I could assist the foundation as an individual. I realized I could help as an instructor, given my extensive musical background. I also saw that my skills as a filmmaker and photographer could help for raising awareness for the FBF and encouraging support for their programs. Of course, this also seemed like it would be an extraordinary personal experience, so I began applying for grants and started to plan my trip.

Though I have some fears about this journey, my expectations are very high. Some of the greatest moments in my life have been when I was helping others; to have the opportunity to help on a daily basis while devoting myself to my passion for music and filmmaking is something truly unique. Yes, I will be very far from home, family, and friends and yes, I will be living in a dangerous place with some degree of personal threat. But, I will surely meet many incredible people along the way and as long as I can actually make a difference and help children who might otherwise be neglected, there is no doubt that this will be one of the most amazing experiences of my life. I look forward to sharing this adventure with you.

Click here to email James with your questions or comments

The views and information presented are the Fulbright grantee’s own and do not represent the Fulbright Program or the U.S. Department of State.